Party in the U.S.A.A Journey of DiscoveryBased on a true story by Miley Cyrus
I disembark at the Los Angeles International Airport with an optimistic agenda and a cardigan sweater. I am greeted by a locale typically associated with celebrity worship and superabundance, and I consider the likelihood of assimilating into such a milieu. Once I've settled into a hired car--this being my first visit to the area--I glance out the driver-side rear window and see what is undoubtedly the district's most recognizable landmark: a lettered sign that tells me, both literally and symbolically, that I have entered an exotic new world. A feeling of senselessness surrounds me. Each citizen, however ordinary, has an air of specialness or renown. My stomach rolls with nausea and I experience a vague longing for my native environment. An excess of mental strain leads to anxiety, but at that precise moment, the driver of the car turns on the stereo and I hear a composition by a popular hip-hop artist...
The driver leaves me at an establishment for evening entertainment. Inside, the patrons assess my appearance as if to say, "Who, pray tell, is this young woman wearing boots of a common, nay
rural working class, style? Surely she must be visiting from a vastly different locality." I find that merely being in attendance presents a considerable challenge without the support of my closest female acquaintances. This is decidedly not the variety of social gathering to which I am accustomed in the southeastern city I call home. My attention focuses on the other women's footwear, particularly the long, thin heels that are aptly named after a type of dagger. I think to myself--wryly, I admit--that I must have failed to receive some widespread notification regarding
mandatory sameness of shoe. Yet again, I suffer nausea, displacement, and mounting apprehension, until the disc jockey selects a song by a former child star turned teen idol...a song I happen to enjoy a great deal.
I raise my hands overhead, both delighting in the familiar music and, in a way, claiming it as part of my identity. The fluttering sensation in my stomach departs. I nod my head in affirmation and, curiously, rotate my pelvis in concurrence with the aforementioned nod. It occurs to me, in near-epiphanic fashion, that my well-being is now and always has been secure, and that in spite of geographic and socioeconomic differences, this specific gathering is, thanks to the commonalities of music and dance, universal, and, indeed, representative of the country at large.